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Marina Ogai
About
Work
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Process
Contact
Shipping & FAQ
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Gallery
About
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Moran Woman in a milky hanbok with long black braids sits on a floating clod of earth with hanging roots, among pale pink peonies – Moran, oil on linen canvas, by Marina Ogai Moran, detail – pale pink peonies and green leaves beside the folds of the milky hanbok, oil on linen by Marina Ogai Moran, detail – roots hanging from the floating earth above the ochre drips at the lower edge of the linen, by Marina Ogai Moran, detail – pale pink peonies blooming on the grassy edge of the floating earth, oil on linen by Marina Ogai Moran, detail – the woman's face framed by two long black braids and the white collar of her hanbok, by Marina Ogai Moran – the artist's red seal signature on the front of the linen canvas Moran – side view of the canvas showing the 5 cm depth and the painted edge of the stretcher Moran – the back of the canvas, signed and inscribed by hand with the title, series, medium, year and size Moran – the back of the 200 × 150 cm canvas on the studio easel, showing the wooden stretcher Moran by Marina Ogai – the large canvas on an easel outdoors, angled against tropical plants Moran, detail – the woman in hanbok with grey-blue cuffs sits cross-legged among peonies on the floating earth, by Marina Ogai Moran by Marina Ogai – the 200 × 150 cm canvas on the studio easel, photographed outdoors Moran, detail – the floating clod of earth with dangling roots, built from layered brown and ochre oil paint Room mockup of Moran above a low bookshelf beside a lounge chair – woman in hanbok on floating earth among peonies, oil on linen by Marina Ogai Room mockup of Moran in a bright hallway with a staircase and a potted plant – large oil on linen by Marina Ogai
Moran
A hand in a red sleeve offers a red apple to a pale grey snake coiled around the arm, pale blue ground with ochre drips – Sagwa, oil on linen canvas, by Marina Ogai Sagwa, detail – an open palm holds a glossy red apple as the snake curves its head above it, oil on linen by Marina Ogai Sagwa, detail – grey snake coils wrapped around the forearm below the red sleeve, the apple held out ahead, by Marina Ogai Close-up of fingers pressed to a red apple with a bright highlight, loose oil brushwork, detail of Sagwa by Marina Ogai Detail of a cupped palm under the red apple against a pale blue ground, oil on linen, Sagwa by Marina Ogai Close-up of the pale snake's scaled head with a flicking tongue above the apple, detail of Sagwa by Marina Ogai Sagwa by Marina Ogai on a wooden easel outdoors, a hand offering an apple to a snake, oil on linen canvas Sagwa on the easel in daylight – the hand, the apple and the snake above ochre drips, original oil on linen by Marina Ogai Detail of thick grey snake coils wrapped tightly around a bare forearm, oil on linen, Sagwa by Marina Ogai Detail of the red sleeve, snake coils and ochre drips along the lower edge of the canvas, Sagwa by Marina Ogai Room mockup: Sagwa by Marina Ogai hung above an olive sofa beside a black console table Room mockup: Sagwa by Marina Ogai above a cream sofa in a living room with wooden beams Side edge of the linen canvas with the artist's red seal, Sagwa by Marina Ogai Back of the stretched linen canvas on a wooden easel, stretcher bars and signature visible, Sagwa by Marina Ogai Sagwa seen from the side on the easel among tropical plants, showing the canvas depth, by Marina Ogai
Sagwa
A woman with long black hair sleeps on a thick tree branch tied with red ribbons, oil on linen, Shinmok from Given by Marina Ogai A woman with long black hair sleeps on a thick tree branch tied with red ribbons, oil on linen, Shinmok from Given by Marina Ogai Shinmok by Marina Ogai on an easel outdoors, a woman asleep on a branch with red ribbons, oil on linen canvas Close-up of a sleeping woman's face with closed eyes, oil on linen detail from Shinmok by Marina Ogai Detail of red ribbons, tree bark and loose oil drips, from Shinmok by Marina Ogai Detail of red ribbons, tree bark and loose oil drips, from Shinmok by Marina Ogai Detail of red ribbons, tree bark and loose oil drips, from Shinmok by Marina Ogai Side edge of the linen canvas with the artist's red seal, Shinmok by Marina Ogai Back of the stretched linen canvas with the handwritten title and signature, Shinmok by Marina Ogai Back of the stretched linen canvas with the handwritten title and signature, Shinmok by Marina Ogai Room mockup: Shinmok by Marina Ogai hung above a wooden dresser Room mockup: Shinmok by Marina Ogai hung above a bed
Shinmok
A girl in a white hanbok sleeps with her cheek on folded hands, curled inside the body of a giant resting tiger, oil on linen, from Given by Marina Ogai A girl in a white hanbok sleeps with her cheek on folded hands, curled inside the body of a giant resting tiger, oil on linen, from Given by Marina Ogai Close-up of a sleeping girl with black hair and red ribbons, cheek resting on her hands, oil on linen detail from Sanctuary by Marina Ogai A girl in a white hanbok sleeps with her cheek on folded hands, curled inside the body of a giant resting tiger, oil on linen, from Given by Marina Ogai Side edge of the linen canvas with the artist's red seal, Sanctuary by Marina Ogai A girl in a white hanbok sleeps with her cheek on folded hands, curled inside the body of a giant resting tiger, oil on linen, from Given by Marina Ogai Detail of tiger stripes and loose oil drips on white ground, from Sanctuary by Marina Ogai Detail of tiger stripes and loose oil drips on white ground, from Sanctuary by Marina Ogai Detail of tiger stripes and loose oil drips on white ground, from Sanctuary by Marina Ogai Back of the stretched linen canvas with the handwritten title and signature, Sanctuary by Marina Ogai Back of the stretched linen canvas with the handwritten title and signature, Sanctuary by Marina Ogai Sanctuary by Marina Ogai shown in a warm living room above a cream bouclé armchair, a girl in hanbok asleep in the curl of a giant tiger Sanctuary by Marina Ogai on a white wall above a blush lounge chair with a throw and books, showing the scale of the 120 × 90 cm canvas
Sanctuary
A small girl in a pink hanbok stands on a ledge of rust-coloured drips and reaches up to touch the nose of a giant tiger, from Given by Marina Ogai Horangi, a large oil on linen of a girl and a giant tiger, leaning against a wall among tropical plants, by Marina Ogai Detail: a girl in a flowing pink hanbok with a long braid stretches up to the tiger's nose, oil on linen by Marina Ogai Detail: the tiger lowers its head with half-closed eyes as the small girl touches its nose, oil on linen by Marina Ogai Close-up of rust and ochre paint drips running across the top of the canvas in Horangi by Marina Ogai Horangi shown in a light living room with tall windows and a leather armchair, interior visualisation, by Marina Ogai Horangi above a low sofa in a stone-walled living room with a fireplace, interior visualisation, by Marina Ogai Close-up of the red seal stamp on the canvas edge of Horangi, original oil on linen by Marina Ogai Side view of the painting Horangi on stretched linen, showing the canvas depth and the girl beneath the tiger, by Marina Ogai Close-up of the thick vertical rust-coloured paint strokes along the bottom of Horangi by Marina Ogai Detail of the girl's face in profile, with dark bangs and braids, looking up at the tiger, oil on linen by Marina Ogai Back of the canvas showing the wooden stretcher with cross braces, original painting Horangi by Marina Ogai Handwritten signature and inscription on the back of the canvas: Horangi, oil on linen, 2026, by Marina Ogai Close-up of the tiger's muzzle with long white whiskers and loose brushwork, Horangi by Marina Ogai
Horangi
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Young woman in a dark hanbok with long black braids and a red ribbon, glancing back among hanging paper cranes, oil on linen, Jeopgi by Marina Ogai Jeopgi seen at an angle, showing paint texture and black drips along the lower edge, oil on linen by Marina Ogai Close-up of the eye and cheek with loose strands of hair and visible brushwork, detail of Jeopgi by Marina Ogai Red ribbon, dark braid and a white paper crane on a pale grey ground, detail of Jeopgi by Marina Ogai Folded paper crane hanging on a thin thread, textured oil paint, detail of Jeopgi by Marina Ogai Side view of the red ribbon, black drips and a paper crane, detail of Jeopgi by Marina Ogai Jeopgi on a wooden easel outdoors in natural light, oil on linen canvas by Marina Ogai Red seal signature in the lower corner over peeled white paint, detail of Jeopgi by Marina Ogai Side edge of the 5 cm deep stretched linen canvas, Jeopgi by Marina Ogai Jeopgi hanging above a black bench with stacked books, interior view showing the scale of the work, by Marina Ogai Jeopgi in a hallway above a wooden console table with plants and candles, by Marina Ogai Back of the canvas showing the wooden stretcher with crossbar and handwritten signature, Jeopgi by Marina Ogai
Jeopgi
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Girl in hanbok with long black braids, an arrow-pierced apple on her head, paint drips below – The Aftermath, oil on linen by Marina Ogai Calm face of a girl in hanbok beneath an apple pierced by an arrow – detail of The Aftermath by Marina Ogai Close-up of a red apple pierced by an arrow in broad oil strokes – detail of The Aftermath by Marina Ogai Ochre and red paint drips running down to the canvas edge – detail of The Aftermath by Marina Ogai Black braids over a red and white hanbok collar with dripping paint – detail of The Aftermath by Marina Ogai Close-up of the girl's eye and cheek in layered oil strokes – detail of The Aftermath by Marina Ogai The Aftermath on an easel outdoors, original oil on linen canvas, 120 × 90 cm, by Marina Ogai Painted canvas edge with a red seal signature – side detail of The Aftermath by Marina Ogai The Aftermath seen at an angle, showing the painted side of the canvas, by Marina Ogai Back of the canvas with wooden stretcher and handwritten inscription – The Aftermath by Marina Ogai Room mockup of The Aftermath hung above a wooden console with a typewriter and desk lamp in soft window light – oil on linen by Marina Ogai Room mockup of The Aftermath above a brown leather armchair with a knit throw, pampas grass and books – oil on linen by Marina Ogai
The Aftermath
Cairn by Marina Ogai – oil painting of a woman in hanbok seated on a stack of stones against a pale blue sky Cairn, detail – the seated figure in hanbok, long black braid and red ribbon, painted in soft ochre and grey Cairn, detail – folds of the hanbok with a deep red ribbon running through them, thick oil brushwork Cairn, detail – the raw unpainted edge of the linen with ochre drips running into the blue ground Cairn, detail – the stacked stones built from flat planes of grey, cream and ochre oil paint Cairn by Marina Ogai – the large canvas photographed outdoors with tropical plants behind it Cairn – side view of the canvas showing the 5 cm depth and the painted edges of the stretcher Marina Ogai standing beside Cairn in her studio, showing the scale of the 200 × 150 cm canvas Cairn – the artist's red seal signature on the front of the linen canvas Cairn, detail – the lower stones of the stack dissolving into the blue ground Room mockup of Cairn above a low bench with a vase of branches and a table lamp – woman in hanbok atop stacked stones, oil on linen by Marina Ogai Room mockup of Cairn in a tall room with bookshelves, a leather armchair and a window onto forest – large oil on linen by Marina Ogai
Cairn
Woman in hanbok curled inside an open oyster shell, holding a large pink pearl, pale blue ground – Formation, oil on linen by Marina Ogai Formation, detail – her face resting on a bare knee above a glowing pink pearl, thick oil brushwork Formation, detail – the figure folded into the oyster shell, braid with a red tassel, grey and ochre planes of oil paint Formation, detail – bare feet among grey and cream folds of the hanbok inside the shell Formation, detail – hands holding a pink pearl with a white highlight, painted in loose oil strokes Formation – the artist's red seal on the raw linen edge with ochre drips Formation, detail – close-up of her face, flushed cheek and steady gaze, oil on linen Formation by Marina Ogai shown in a minimal interior with a dark window frame and a lounge chair Formation by Marina Ogai leaning on a white mantel in a sunlit room Reverse of Formation – bare linen and wooden stretcher bars, signed on the back
Formation
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A girl and a young woman in hanbok with long black braids and red ribbons, foreheads touching, eyes closed, oil on linen canvas, by Marina Ogai Close-up of two faces touching at the forehead, eyes closed, detail of The Encounter, oil on linen by Marina Ogai Close-up of the younger face in profile, flushed cheek and closed eyes, detail of The Encounter by Marina Ogai Close-up of the adult face in profile, eyes closed and head bowed, detail of The Encounter by Marina Ogai The Encounter by Marina Ogai on a wooden easel outdoors by a pool among tropical plants, showing the scale of the canvas Bowed face with closed eyes, black hair in loose splashes and a paint drip, detail of The Encounter by Marina Ogai Red hanbok ribbon in thick palette knife strokes against black hair and pale blue, detail of The Encounter by Marina Ogai Side edge of the canvas, raw linen with brown paint drips and a red mark, The Encounter by Marina Ogai Thick palette knife strokes on a white collar dripping over raw linen, texture detail of The Encounter by Marina Ogai Back of the canvas on an easel, bare linen and wooden stretcher bars, The Encounter by Marina Ogai
The Encounter
A drawn bow with an arrow whose shaft sprouts green leaves and a white mugunghwa flower, on a pale grey ground, oil on linen canvas, by Marina Ogai Close-up of a white mugunghwa flower with a crimson center, thick impasto oil paint, from Given by Marina Ogai Carved bow grip with the flowering shaft passing through it, oil on linen detail, from Given by Marina Ogai Close-up of red and ochre arrow fletching against a taut bowstring, oil on linen detail, from Given by Marina Ogai Large oil painting of a bow and flowering arrow on an easel outdoors, 120 × 90 cm, by Marina Ogai Painted edge of the canvas with ochre drips and the artist's red seal, from Given by Marina Ogai Curved upper limb of the bow with cord binding, oil on linen detail, from Given by Marina Ogai White impasto paint running over ochre underlayers, surface detail of an oil painting by Marina Ogai Carved ornament on the bow grip painted in oil, detail from Given by Marina Ogai Reverse of the stretched linen canvas showing the wooden stretcher bars, painting by Marina Ogai
Mugunghwa
A girl in hanbok balancing on a thin line, arms spread wide, long braid falling, oil on linen, from Given by Marina Ogai Close view of a girl in hanbok with lowered eyes and a long black braid, loose brushwork, oil on linen, from Given by Marina Ogai Detail of a black braid crossing pale folds of a hanbok sleeve, thick oil strokes on linen, from Given by Marina Ogai Large canvas of a girl in hanbok balancing on a line, standing outdoors among tropical plants, oil on linen, from Given by Marina Ogai Marina Ogai with a brush beside her large oil painting of a girl in hanbok balancing on a line, from the series Given A girl in hanbok with arms outstretched and a braid sweeping across her body, oil on linen, from Given by Marina Ogai Back of a large linen canvas on a wooden easel in a garden studio, stretcher bars visible, work by Marina Ogai Detail of a bare foot resting on a thin drawn line beneath a dark hem, oil on linen, from Given by Marina Ogai Large oil painting of a girl in hanbok balancing on a line, seen in the studio behind brushes and plants, from Given by Marina Ogai Detail of a pale skirt above a thin line and raw ochre drips along the canvas edge, oil on linen, from Given by Marina Ogai
Balance
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The finished canvas on a wooden easel outdoors among tropical plants, oil on linen canvas, by Marina Ogai Close view of the knotted ribbon across her eyes and the bow behind her head, thick oil brushwork, from Given by Marina Ogai The finished canvas on a wooden easel outdoors among tropical plants, oil on linen, from Given by Marina Ogai Marina Ogai at the easel working on the blindfolded figure in hanbok, oil on linen in progress, from Given Detail of pale hanbok folds against a soft grey-blue ground, layered oil strokes and ochre marks, from Given by Marina Ogai Close profile with red lips and a black braid falling past the shoulder, thick oil brushwork, from Given by Marina Ogai Lower corner of the canvas with the artist's red seal and ochre drips over raw linen, oil on linen, from Given Detail of the long black braid crossing the pale robe, blue-grey ground behind, oil on linen, from Given by Marina Ogai Head and shoulders in profile, ribbon tied over the eyes, chin lifted, oil on linen, from Given by Marina Ogai Surface detail with impasto ridges, white scrapes and ochre gold over grey-blue, oil on linen, from Given by Marina Ogai Marina Ogai with brush in hand beside the finished canvas in her studio, oil on linen, from Given Back of the stretched linen canvas with wooden crossbars, 120 × 90 cm, from Given by Marina Ogai
First Impression
A dark-haired girl in a green top and full pink skirt sits against pale blue, red and green sweeping behind her, loose oil brushwork, from Given by Marina Ogai Garb on a wooden easel outdoors among tropical plants, a seated girl in a green jeogori and pink skirt, oil on linen canvas, by Marina Ogai Close-up of a young girl's face with a wary sidelong gaze and black hair in twin buns, angular oil brushstrokes, from Given by Marina Ogai A young girl rests her hands near her chin with a sombre sidelong look, black hair in buns, close oil detail, from Given by Marina Ogai Seated girl in a green jeogori and full pink skirt, black hair in twin buns, red and green brushstrokes behind her, oil on linen canvas, by Marina Ogai Detail of a pale pink skirt in layered oil brushstrokes over deep red, from the painting Garb by Marina Ogai, series Given Detail of red, green and gold brushwork dripping behind the figure, oil on linen canvas, from Garb by Marina Ogai Close detail of pale pink oil brushwork with soft red streaks, from the painting Garb by Marina Ogai, series Given
Garb
A girl in hanbok with a long black braid steps barefoot along a thin white line across a pale blue ground, oil on linen canvas, by Marina Ogai Ground on a wooden easel outdoors among tropical plants, a girl in hanbok walking a line on pale blue, oil on linen canvas, by Marina Ogai Close-up of a girl's lowered profile and long dark braid in loose brushwork, detail of Ground, oil on linen canvas, by Marina Ogai The artist's red seal stamped on the pale blue edge of the canvas, signature detail of Ground by Marina Ogai Profile of a girl in a black jeogori with red ties and a cream skirt, long braid down her back, detail of Ground, oil on linen canvas, by Marina Ogai Bare feet balancing on a thin painted line, loose oil brushwork, detail of Ground by Marina Ogai Detail of a black jeogori, red ribbon and dark braid over a full cream skirt in thick oil paint, Ground by Marina Ogai Ground seen at an angle, a barefoot girl in hanbok on a thin line, the canvas edge visible, oil on linen canvas, by Marina Ogai Ochre drips running up from the lower edge into the pale blue ground, surface detail of Ground by Marina Ogai Side edge of the canvas with ochre drips over pale blue, paint texture detail of Ground by Marina Ogai
Ground
Return by Marina Ogai – pencil drawing on paper: a girl with braids and closed eyes beneath a towering sky of clouds, full view Detail of Return by Marina Ogai: the girl's face in soft light, eyes closed, pencil on paper Detail of Return by Marina Ogai: cumulus clouds built from layered pencil hatching Detail of Return by Marina Ogai: cloud edges in crosshatched pencil strokes Detail of Return by Marina Ogai: the girl's face with closed eyes and braids, pencil hatching on paper Detail of Return by Marina Ogai: close-up of the girl's closed eyes, nose and lips in dense pencil hatching Corner of Return by Marina Ogai showing the pencil hatching and the artist's mark on paper
Return
Fullness by Marina Ogai – pencil drawing on paper: a young woman kneeling in grass, head tilted back and eyes closed, full view Detail of Fullness by Marina Ogai: the woman's face lifted to the sky, hair blown back, pencil hatching on paper Detail of Fullness by Marina Ogai: close-up of the raised face in profile, eyes closed, pencil on paper Detail of Fullness by Marina Ogai: the sleeve and hand in loose pencil hatching Detail of Fullness by Marina Ogai: head and shoulders tilted back, drapery falling, pencil on paper
Fullness
Striving or Fleeing by Marina Ogai – pencil drawing on paper, full view Detail of Striving or Fleeing by Marina Ogai: the woman's face in profile, dense pencil hatching Detail of Striving or Fleeing by Marina Ogai: the braid and shoulder of the running figure Corner of Striving or Fleeing by Marina Ogai showing the pencil signature and paper texture Detail of Striving or Fleeing by Marina Ogai: the second, fainter profile behind the main figure Detail of Striving or Fleeing by Marina Ogai: wind-blown fabric built from layered pencil strokes
Striving or Fleeing
Sleeping child's face with closed eyes, framed in dense pencil hatching, from The In-Between by Marina Ogai Sleeping child's face with closed eyes, framed in dense pencil hatching, from The In-Between by Marina Ogai Sleeping child's face with closed eyes, framed in dense pencil hatching, from The In-Between by Marina Ogai Sleeping child's face with closed eyes, framed in dense pencil hatching, from The In-Between by Marina Ogai Sleeping child's face with closed eyes, framed in dense pencil hatching, from The In-Between by Marina Ogai Sleeping child's face with closed eyes, framed in dense pencil hatching, from The In-Between by Marina Ogai
Dream
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A bowed figure kneeling over pale flowers on a dark mound, dense pencil hatching, from The In-Between by Marina Ogai Dark shoulders and back leaning down toward a cluster of white blooms, worked in layered pencil hatching, Letting Go by Marina Ogai A head and torso bent low over the ground, silhouette built from dense graphite strokes, from The In-Between by Marina Ogai White flower heads picked out against dark hatched earth, close detail of a pencil drawing on paper by Marina Ogai Profile of a lowered head with loose dark hair, radiating pencil strokes in the background, detail from Letting Go by Marina Ogai The turn of a dark shoulder above pale petals at the lower edge, pencil on paper detail by Marina Ogai
Letting Go
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